Cultural Memory: the Novenas de Terno and the Creation of Group Samba Coco Master Zé Zuca

Authors

DOI:

https://doi.org/10.53930/348516

Keywords:

Memory, Culture, Performance, Novena, Coco

Abstract

The “Novena de Terno” is a cultural expression related to popular catholicism, practiced in rural communities in the municipality of Queimadas, in the state of Paraíba. Their presentations have traditionally taken place for several decades in various backyards, through the organization of people engaged in continuing the cultural traits inherited by their ancestors. To ensure the passage of his teachings and share his performance knowledge, the Samba de Coco Mestre Zé Zuca group was created, which performs beyond rural communities and reframes the cultural traits of its locality. Thus, this article seeks to present the cultural dynamics that keep “Novena de Terno” in activity and to reflect on the performance of the group during its presentations.

 

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Author Biography

Willams Lucian Belo Ramo, Universidade Estadual da Paraíba (Brazil)

Master's Degree in Literature and Interculturality

References

Chartier, R. (1995). Cultura Popular: revisitando um conceito historiográfico. In: Estudos Históricos, Rio de Janeiro, vol. 8, n. 16, 192.

Halbwachs, M. (2009). A memória coletiva. São Paulo: Centauro.

Pollak, M. (1992). Memória e identidade social. In: Estudos Históricos. Rio de Janeiro, vol. 5, n. 10.

Zumthor, P. (2010). Introdução à poesia oral. Belo Horizonte: Editora UFMG.

Published

2021-11-17

How to Cite

Belo Ramo, W. L. (2021). Cultural Memory: the Novenas de Terno and the Creation of Group Samba Coco Master Zé Zuca. Diálogos, 6, 55–68. https://doi.org/10.53930/348516